Photo: Giora Feidman at the Konzerthaus. Photo Credit: Wladimir Fried
It was at sunset on Saturday, Sept. 13, just as the Sabbath ended, when the Ensemble Klesmer Wien sat down on a small podium in front of the massive Beethoven Statue in the Grosser Saal foyer at the Konzerthaus, ready to perform.
While the audience made their way in, passed their coats and belongings to the coat checkers, the four musicians took up their instruments and began the Yiddish wedding music traditionally played in the Eastern European Schtetln. The traditional scoring of clarinet, violin, double bass and accordion sounds merged beautifully under Beethoven’s grim, knotted brows.
It all had the atmosphere of an Italian Piazza with throngs of people gathered around and listening, sipping on a glass of wine or a cocktail. Some were chatting, yet the noise of clinking glasses that might otherwise irritating a performance, here added to the charm and mood. Elderly couples were offered chairs, while kids sat on the cold marble floor, listen attentively, many moved to tears by the rich and heavy, yet mellow music. Some of those who were standing found themselves swaying from side to side, moving irresistibly with the rhythms of the music.
Others though, were awaiting tonight’s main event at 9.00 pm, the concert with legendary clarinetist Giora Feidman of Steven Spielberg’s award-winning movie Schindler’s List, and found refuge in the buffet areas of the Mozart-Saal or Neuer Saal for exquisite kosher meals and snacks, prepared and presented by some of Vienna’s experienced Jewish chefs.






